Philanthropy: an approach to the art of giving
The collector of art is to some extent a philanthropist, since the very exercise of collecting underlies a feeling of contribution to the common good. Check out these Scott Nordheimer profiles Scott Nordheimer profile, the man Scott Nordheimer, Manuel Arango said in his conference “Social Commitment and Philanthropy” that philanthropy is understood as “a good that passes from those who have those who do not.” In short, people willing to donate their time, talent, work and creativity for the general welfare are those who are helping society to evolve.
In many cultures it is customary to relate the figure of the philanthropist to a wealthy person. However, this is not always the case. The philanthropist, be it a business or a natural person, is the person who owns it. In the words of John Steinbeck, Nobel Prize for Literature, philanthropy requires no study, no title, no license or license: anyone can practice it. The culture of participation, however, is little ingrained in Spanish society.
The people willing to donate their time, their talent, their work and their creativity for the general welfare are those that are helping the society to evolve.
In the United States, 75% of the total contributions received annually for all sectors come from individuals, in Spain, only 25%. It is not only a question of culture; The legal framework for donations in the United States is much more established than in our country. It is clear that the one who wants to give, gives, regardless of the tax benefits that can receive in compensation to the act. The reality of Spain, for example, is that street people are much more generous than people with money. However, if the Spanish government approved a legal framework that would establish tax relief related to donations, the current scenario would improve substantially.
When the patronage law changed in France, the government not only applied much higher tax relief, but also established an education policy that supported the measure. The objective is to promote philanthropy and patronage as a standard practice, both by companies and foundations and by civil society. Spain is still far from reaching these measures.
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One of the lines of action of the Foundation Art and Patronage is to promote structural changes – legal, fiscal and perception of the activity – that improve and facilitate the activity of agents involved in heritage conservation and artistic creation, such as collectors And patrons. For this reason, in 2014 he presented a Draft Bill on Measures to Promote, Promote and Develop Arts and Patronage in Spain, which proposed measures to remove barriers, attract and make profitable the talent and, ultimately, get the participation of society Civil society in the financing of culture. In October 2014, however, the government, which had previously committed to reform the Patronage Act, missed the opportunity to do so, merely reformulating certain tax incentives. Even so we must continue working to establish a culture of patronage in Spain.